Justine Cooper, Human Repair, Trace212, May 2008 Dispute over Europe TV drug plan, BBC News, May. 30, 2007 Saved By Science: pix of the storage areas at the Natural History Museum, Boing Boing, Apr. 9, 2007 Designing a disease -- and its drug, The Scientist, Mar. 23, 2007"Terminal Happiness" With Havidol Page 3.14, Mar. 1, 2007 A drug for everything when you have nothing, The Journal News (New York), Mar. 7, 2007 Message in a bottle, The Columbus Dispatch, Mar. 3, 2007 Review of Havidol, Saatchi Gallery UK These statements have not been evaluated by the FDA, Post-Gazette (Pittsburgh), Mar. 8, 2007, The cure for everything if you have something, The Journal News, Mar. 7, 2007 HAVIDOL, NOTCOT, Feb. 26, 2007 Disease mongering video reviewed in British Medical Journal, Media Doctor, Feb. 24, 2007 The Last Laugh Better Living Through Chemistry, The Age, Feb. 20, 2007 If you don't Havidol, you'll want to get it soon... Reuters, Feb. 16, 2007 Fake drug, fake illness -- and people believe it, Reuters, Feb. 16, 2007, A new way to have it all, Reuters, Feb. 15, 2007 Havidol: When More Is Not Enoungh, Village Voice, Feb 14-20, 2007 Havidol when more is not enough, Shortlist, Culture Cuts Feb. 12, 2007 Watchlist 4: Justine Cooper, rebel:art, Feb. 9, 2007 Archive Montage Network, Art & Australia, Victoria Lynn, pp 421-425 Art Papers, review, May/June 2006, p.72 Museum: A secret stash of rich research relics, Emily Carlson, Discover magazine, May 2006. p.74. Museum Muses: catalogue, Barton Lidice Benes and Justine Cooper, National Academy of Science, 2006 Forum: Justine Cooper, Ian Perry, Issues in Science and Technology, Spring 2006. pp. 6-21 Archiv Des Lebens, Hubert Filser, Wissen (Germany), 2006, pp75-79. Justine Cooper and Barton Lidice Benes, John Gayer, Art Papers, May/June, 2006. p.72. Year in Science: Icons - Justine Cooper: Carbon-Based Artist, Dan Keane, SEED, Dec/Jan 2006, p.70. Australians work outside the New York label, Jacqui Taffel, Sydney Morning Herald, July 5, 2005 An Artist Goes Behind Closed Doors, Ruth Graham, The New York Sun, v.121, no.10, p.14, April 29, 2005 Interzone: Media Arts in Australia,Darren Tofts, Craftsman House, 2005. p.11 & p.63 Behind Closed Doors, Mary Knight, Natural History Magazine, June 2005, pp.40-43 Justine Cooper, Saved By Science, Voice Choice, Village Voice, June 1-7, 2005 Good Morning Alabama ABC TV and 6pm Fox Newscast, January 11, 2005 State of the Arts, Review TULP The Makers, ABC Radio National interview, September 26, 2004 The Body Speaks, Sandra McLean, Courier Mail, September 18, 2004 Work guaranteed to get under your skin, Joyce Morgan, Sydney Morning Herald, January 16, 2004 TULP: The Body Public, Harriet Cunningham, Sydney Morning Herald, January 17, 2004 TULP review, Rosemary Duffy, State of the Arts magazine, URL: http://www.stateart.com.au/sota/reviews/default.asp?fid=2964 A Visceral Experience, Carina Dennis, NATURE, v.427, no.6975, p.587, February 12, 2004 The darkness that yields light, Keith Gallasch, RealTime, RT59 - February - March 04, 2004 Rapt, Ashley Crawford, Sunday Age, January 11, 2004 Prefiguring Cyberculture, eds. Tofts, Jonson, Cavallaro, The MIT Press 2003 Justine Cooper: new media alchemist, Real Time, #55, June/July 2003, p.4 Cartography in the Age of Digital Media, John Wiley & Sons, Ltd 2003 Scientific Serendipity, eds. Julianne Pierce + Caroline Farmer, Australian Network for Art and Technology, introduction and interview by Kathy Cleland, August 2002. Future Bodies, eds. Angerer, Peteres, Sofoulis, Springer-Verlag, Vienna 2002 Artlink review, vol.22, no.2, p. 83.2002 Now I Talk Like This, Stephanie Radok, Art Monthly Australia, April, 2002, pp.9-12 ConVerge:where art and science meet, Adelaide Biennial of Australian Art, Art Gallery of South Australia, catalog, Thames & Hudson, Melbourne. 2002 Studios in the Sky, Stephanie Cash, Art in America, March 2002 Medicine as Metaphor, NTT InterCommunication Center, Tokyo, Catalog 2002 Oxygen Media, television profile, January, 2002. hybrid <life>forms: Australian new media art, Netherlands Media Art Institute, Amsterdam, catalog 2001 Out of Australia: International Exposure, Linda Wallace, Artlink, vol.21, no.3, 2001, pp. 53-55. Interfacing Art, Science and New Media, Anna Munster, Artlink, vol.21, no.3, 2001, pp.19-23. Probe, Julian Scarff, ART Asia Pacific: new media issue #27, June 2000 Interface: visions of the body and the machine, Kathy Cleland, ART Asia Pacific, issue #27, June 2000 Justine Cooper, Australian Art Collector, Patrick Crogan, Issue 12, April-June 2000 The Genetic Esthetic, Barbara Pollack, ArtNEWS, pp 133-136, April 2000 CCTV (China Television) 20" documentary on Probe, November 1999. HighTech High Touch, John Naisbitt, Broadway Books (Brealey, London edition), 1999 Insides Out: Speculations on the Body in 3D Computer Animation, Patrick Crogan, Paper delivered at the Society for Animation Studies Conference, August 1999 Rapt, Robyn Donohue, Photofile, # 56, May 1999. Art and Science Sing the Body Transparent, Vicky Goldberg, New York Times, December 19,1998 Public LecturesSaved By Science, Keck Theatre, National Academy of Sciences, April 30, 2006 Cabinets, Curiosities, and Collections; Revealing the Museums Stored Treasures, Linder Theatre, American Museum of Natural History, March 31, 2005 Science & Art, Sydney Festival, Domain Theatre, Art Gallery New South Wales, January 18, 2004 Guest Speaker, Distinguished Visitors Program, School of Art and Design, University of Michigan, November 5, 2003 Cartography in the Age of Digital Media, Symposium, Yale School of Architecture, April 5, 2002 ConVerge:where art and science meet, Genomics Symposium, March 3, 2002 Science for Art's Sake, presenter, American Museum of Natural History, June 13, 2001 Scrambling Space, Elastic, artist talk, February 27, 2002 The Art of Imaging, Keynote Speaker, Australian Institute of Medical and Biological Illustration's Conference AIMBI 2000 -, June 2000 Seminar on Science and Art, Australian Network for Art and Technology Summer School,1999 Imaging the Virtual Body, Future Screen seminar speaker, Powerhouse Museum, Nov 21, 1998 |
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