Education

1998 Master of Visual Arts, Sydney College of the Arts, Sydney University
1990 BS Communications, Syracuse University, New York
   
Selected Exhibitions
   
2009 Super Human, November 2009, Melbourne Museum and Australian Center for the Moving Image
2009 IMPACT: art in the age of climate change, October 2009, Staten Museum for Kunst Copenhagen, Denmark
2008 HAVIDOL: September 4-21, 2008 Australian Centre for Photography, Sydney, Australia
2008 Terminal, Daneyal Mahmood Gallery, New York, May 8 - June 14
2007 The Leisure Class, Gallery of Modern Art, Queensland, Australia, October 13, 2007 - March 2008 Curator Kathryn Weir
2007 Goodbye Privacy, Ars Electronica, Linz Austria, September 5 - 11
2007 The Art & Artifice of Science, Museum of Fine Arts, Santa Fe, February 9 - May 20
2007 Havidol, Daneyal Mahmood Gallery, New York, February 8 - March 17
2006 National Academy of Sciences, Washington, D.C. February 10 - August 1
2006 Strange Attractors, Zendai MOMA, Shanghai, July 22 - August 29
2006 Asia - Pacific Triennial of Contemporary Art, Queensland Art Gallery, Australia, Nov 2006 - May
2005 Saved By Science, Mary Place Gallery, Paddington, Sydney, Australia October 25 - November 6
2005 Your Sky, GAS, New York, New York July 9 - 29
2005 Saved by Science, Kashya Hildebrand Gallery, New York, New York April 21 - June 4
2005 Beijing Biennale, The Millennium Dialogue, Beijing, China, Second International New Media Arts Exhibition and Symposium, May 31 - June 27
2005 RAPT I and II, Visual Arts Gallery, University of Alabama, Birmingham, January 7 - February 4
2005 WetLab: The New Nexus Between Art and Science, The Gallery of Contemporary Art, Sacred Heart University
2004 Transfigure, Australian Centre for the Moving Image, Melbourne curator Alessio Cavallaro
2004 The Nature Machine, Queensland Art Gallery, Australia, December 3 - February 13, 2005 curators
2004 Lynne Seear and Kathryn Weir
2004 TRANS: Australian artists in New York, Dumbo, NY
2004 TULP, The Art Gallery of New South Wales, Sydney Australia
2003 How Human, life in the post genome era, International Center of Photography, New York
2003 Science Fictions, Singapore Art Museum, Singapore
2003 Excite/Moist, Julie Saul Gallery, New York
2003 Helen Lempriere National Sculpture Award Exhibition, Melbourne
2003 Genetic Expressions: Art After DNA, Heckscher Museum of Art, Huntington, NY
2003 Divine Fragments, Center for Photography at Woodstock
2002 PhotoGENEesis: Opus 2, Santa Barbara Museum of Art, California
2002 MOIST, Multimedia Art Asia Pacific, Millennium Monument, Beijing, PRChina
2002 Microviews, Urban Center Galleries at The Municipal Art Society, New York
2002 Corps + Machine, Museum of Contemporary Art, Montreal
2002 Other Views, QCA Gallery, Queensland, (curator Timothy Morrell)
2002 Den Haag Film and Video Festival, "Oor(g)/See[h]ear"
2002 ConVerge: where art and science meet, Adelaide Biennial, The Art Gallery of South Australia
2002 Medicine As Metaphor, NTT InterCommunication Center, Tokyo, Japan
2002 World Views, New Museum of Contemporary Art, New York
2001 Steel Fracture, Dir. Gail Kelly, Australian Technology Park + Performance Space (video commission)
2001 Figure It, Plimsoll Gallery, Centre for the Arts, Tasmania
2001 Theory or Faith, LIMN gallery, San Francisco
2001 Hybrid forms: Australian new media art, Netherlands Media Art Institute, Amsterdam
2000 Gwang - Ju Biennale, Korea
2000 Foreign Bodies, Untitled Space, New Haven, Connecticut
2000 Pivot V: About Photography, Carnegie Gallery, Hobart, Tasmania
2000 Wired Body/Mediated Body, Pacific Cinematheque, Vancouver, Canada, and Goethe Institute, Toronto
1999 Probe: Australian Embassy, Beijing, China
1999 Romancing the Brain, Pittsburgh Center for the Arts
1999 Sci - Art 99, MAAP, Queensland Sciencentre, Brisbane
1999 The Self, Absorbed, Bellevue Art Museum, Washington
1999 The Universal Machine, Powerhouse Museum, Sydney
1999 Persona, Institute of Modern Art, Queensland
1998 Skin/Deep, Julie Saul Gallery, 560 Broadway SoHo, New York
1998 Videomedeja, 3rd International Video Summit, Cultural Center of Novi Sad, Yugoslavia
1998 ArtRAGE, ABC
1998 MUU Media Festival, Helsinki, Finland
1998 Surveillance show, Artspace, Sydney
1998 Rapt II, Center for Contemporary Photography, Fitzroy, Melbourne
1998 Viruses and Mutations, Experimenta, St. Vincent's Hospital, Melbourne
1998 Maap (Multimedia Art Asia Pacific), Brisbane
1998 National Digital Art Awards, Institute of Modern Art, Brisbane, September 1998
1998 VideoBrasil, Sao Paulo, Brazil
1998 D.art, Sydney Film Festival
1998 Cell, Gallery 19, Sydney


Commissions


2004 TULP: The Body Public(visual artist/director) perfomance/installation with ELISION Ensemble, Art Gallery of New South Wales, Sydney Festival and the Powerhouse, Brisbane Festival
2003 The Imaginary Opera Project, Ensemble Offspring, Sydney Conservatorium of Music 2003
2003 Lady from the Sea video animations (Ibsen), Wax Factory Production, New York 2003
2002 Video commission for Multimedia Art Asia Pacific, Millennium Monument, Beijing, China 2002
2001 Video commission for Steel Fracture, Director Gail Kelly, Australian Technology Park + Performance Space, April 4 - 8, 2001


Selected Screenings


2007 Mapping Bodies, 516 ARTS, Albuquerque, New Mexico
2005 The Nature Machine, Queensland Art Gallery,Australia, December 3 - February 13
2004 Flicker, Socrates Sculpture Park, New York
2003 oZone,Centre Pompidou, Paris
2003 Another Planet, Robert Beck Memorial Cinema, New York + Chicago Institute of Art
2003 Future Perfect, D.art, Sydney Film Festival
2003 Corps + Machine, Museum of Contemporary Art, Montreal
2002 Den Haag Film and Video Festival, "Oor(g)/See[h]ear", Netherlands
2000 Wired Body/Mediated Body, Pacific Cinematheque, Vancouver, Canada, May 2000 and Goethe Institute, Toronto
1999 Videodrome, New Museum of Contemporary Art, New York
1999 Margaret Mead Film & Video Festival, American Museum of Natural History
1999 Kasseler Dokumentarfilm Und Videofest, Kassel, Germany
1999 4ième Manifestation Internationale Vidéo et Art Électronique , Montreal
1999 Peripheral Visions, Museum of Sydney
1999 Anemone,Imago, Western Australia tour
1999 WRO International Video Art Biennale, Wroclaw, Poland
1999 Women in the Director's Chair Video Festival, Chicago, USA
1999 Digital New Wave, International Film Festival Rotterdam, Netherlands
1999 ArtRAGE, Australian Broadcasting Channel
1998 Videomedeja, 3rd Intnat'l Video Summit, Cultural Center of Novi Sad, Yugoslavia
1998 MUU Media Festival, Helsinki, Finland
1998 Viruses and Mutations, Experimenta, St. Vincent's Hospital, Melbourne
1998 MAAP (Multimedia Art Asia Pacific)
1998 National Digital Art Awards, Institute of Modern Art, Brisbane
1998 VideoBrasil, Sao Paulo, Brazil
1998 D.art, Sydney Film Festival


Residencies, Grants, Scholarships and Prizes

2005 NYSCA Individual Artist grant
2005 Greenwall Foundation Grant
2005 The Harries First Place for the National Digital Arts Awards, Australia
2004 Australia Council New Media Fellowship
2004 Australia Council Visual Arts and Crafts Board Grant
2003 Australia Council Visual Arts and Crafts Board Grant
2003 Greenwall Foundation Grant
2003 Greenwall Foundation Grant
2002 Multimedia Art Asia Pacific Artist in Residence at Central Academy of Fine Art, New Media Department, Beijing, PR China September - October
2002 Santa Fe Art Institute, New Mexico, February 2002
2001 Bellevue Art Museum Artist - in - Residence, Washington, December 2001
2001 Australian Network for Art and Technology (ANAT) deep immersion: scientific serendipity grant for artist - in - residency at The Museum of Natural History, New York
2001 World Views, The Lower Manhattan Cultural Council's Artist - in - Residence Program at the World Trade Center, New York
2001 Harvestworks Artist - in - Residence Grant, New York
1999 Australia Council New Media Grant
1998 The Harries First Place for the National Digital Arts Awards, Australia
1997 Australian Film Commission New Technologies Grant


Publications and Public Lectures

2005 Australians work outside the New York label, Jacqui Taffel, Sydney Morning Herald, July 5, 2005
2005 An Artist Goes Behind Closed Doors, Ruth Graham, The New York Sun, v.121, no.10, p.14, April 29, 2005
2005 Behind Closed Doors, Mary Knight, Natural History Magazine, June 2005, pp.40 - 43
2005 Justine Cooper, Saved By Science, Voice Choice, Village Voice, June 1 - 7, 2005
2005 Cabinets, Curiosities, and Collections; Revealing the Museums Stored Treasures, Linder Theatre, American Museum of Natural History, March 31, 2005
2005 Good Morning Alabama ABC TV and 6pm Fox Newscast, January 11, 2005
2004 Science & Art, Sydney Festival, Domain Theatre, Art Gallery New South Wales, January 18, 2004
2004 Work guaranteed to get under your skin, Joyce Morgan, Sydney Morning Herald, January 16, 2004
2004 TULP: The Body Public, Harriet Cunningham, Sydney Morning Herald, January 17, 2004
2004 Panelist, Science & Art, Sydney Festival, Domain Theatre, Art Gallery New South Wales, January 18, 2004
2003 Guest Speaker, Distinguished Visitors Program, School of Art and Design, University of Michigan, November 5, 2003
2003 Justine Cooper: new media alchemist, Real Time, #55, June/July 2003, p.4
2003 Identity, Photovision (Spanish edition)
2002 Prefiguring Cyberculture, eds. Tofts, Jonson, Cavallaro, The MIT Press
2002 Cartography in the Age of Digital Media, Symposium, Yale School of Architecture, April 5, 2002.
2002 ConVerge:where art and science meet, Genomics Symposium, March 3, 2002
2002 Scrambling Space, Elastic, public talk, February 27, 2002
2002 Oxygen Media, 5' television profile, January, 2002
2001 Out of Australia:International Exposure, Linda Wallace, Artlink, vol.21, no. 3, 2001
2001 Interfacing Art, Science and New Media, Anna Munster, Artlink, vol.21, no. 3, 2001
2001 Science for Art's Sake, presenter and panelist, American Museum of Natural History, June 13, 2001
2000 Keynote Speaker, Australian Institute of Medical and Biological Illustration's Conference AIMBI 2000 - The Art of Imaging, June 2000
2000 Interface: visions of the body and the machine, Kathy Cleland, ART Asia Pacific, issue #27, June 2000
2000 Justine Cooper Artist Profile, Australian Art Collector, Patrick Crogan, Issue 12, April - June 2000
2000 The Genetic Esthetic, Barbara Pollack, ArtNEWS, pp 133 - 136, April 2000
2000 Space Graft,Cyberanthology, Cavallaro, Jonson,+Tofts,Power Publications, Sydney, 2000
2000 Justine Cooper Artist Profile, Australian Art Collector, Patrick Crogan, Issue 12, April - June 2000
1999 A Digital Region - , Anat Newsletter #39, December 1999
1999 Insides Out: Speculations on the Body in 3D Computer Animation,Patrick Crogan, paper delivered at the Society for Animation Studies Conference, August 1999
1999 Justine Cooper: RAPT, Robyn Donohue, Photofile, #56, May 1999
1998 Between Professional Diagnosis and Dumb Fascination,Colin Hood, Real Time #26,OnScreen, August 1998
1998 Art and Science Sing the Body Transparent, Vicky Goldberg, New York Times, December 19, 1998
1998 Promises and Metaphors, Ben Zipper, Broadsheet, vol 27, no.4, summer 1998
1998 Snap Arts Program , Channel 31, Melbourne 1998
1998 Imaging the Virtual Body, Future Screen seminar, Powerhouse Museum, November 21st, 1998
1998 Good medicine makes art, Jenny Sinclair, The Age, October 13th, 1998
1998 Religion and science show their artistic face, Peter Timms, The Age, October 21st, 1998
1998 Between Professional Diagnosis and Dumb Fascination, Colin Hood, Real Time, #26, OnScreen, 1998


Collections

Currently held in collections in Australia, Europe, and New York, including the Metropolitan Museum of Art, The Powerhouse Museum, Australian Center for the Moving Image, Griffith Artworks and The Queensland Art Gallery, Monash University and the Queensland Health Centre.


Public Lectures

2004 Science & Art, Sydney Festival, Domain Theatre, Art Gallery New South Wales, January 18, 2004
2003 Guest Speaker, Distinguished Visitors Program, School of Art and Design, University of Michigan, November 5, 2003
2002 Cartography in the Age of Digital Media, Symposium, Yale School of Architecture, April 5, 2002
2002 ConVerge:where art and science meet, Genomics Symposium, March 3, 2002
2002 Scrambling Space, Elastic, artist talk, February 27, 2002
2001 Science for Art's Sake, presenter, American Museum of Natural History, June 13, 2001
2000 The Art of Imaging, Keynote Speaker, Australian Institute of Medical and Biological Illustration's Conference AIMBI 2000, June 2000
1999 Seminar on Science and Art, Australian Network for Art and Technology Summer School, 1999
1998 Imaging the Virtual Body, Future Screen seminar speaker, Powerhouse Museum, Nov 21, 1998

 


 

Born in Sydney, Australia and currently residing in New York, interdisciplinary artist, Justine Cooper's moves between many forms of media - photography, animation, video, installation, as well as medical imaging technologies such as MRI, DNA sequencing, Ultrasound and SEM (scanning electron microscopy). Cooper’s artwork investigates the intersections between culture, science and medicine. She sees herself as an artist who is concerned with the expression of desire. Cooper does so by working with medicine and science, areas that often seem far from desire. Yet, there is a desire by natural science to rationalize our sublime world, to understand where we came from. There is a desire by medicine to push the physical and chemical boundaries of our bodies into places that make us healthier or happier. Justine Cooper is curious how these areas intersect with us as a society and as individuals.

Her work has been internationally recognized and exhibited and screened at venues including The New Museum of Contemporary Art, New York; Ars Electronica, Linz, The NTT InterCommunication Center, Tokyo; The Singapore Museum of Art; The Netherlands Institute for Media Art, The George Pompidou Centre, Paris; Kwang Ju Biennale, Korea, and the International Center of Photography, New York. Cooper's artwork is held in public and private collections including the Metropolitan Museum of Art, The Powerhouse Museum (Sydney), The Queensland Art Gallery and the Australian Center for the Moving Image.

 
 
 
 

 

 
 

 


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